The audience sits. Waits. Lights come up on a group of actors, some sitting on stools, some standing on platforms of varying heights. All have scripts in their hands. The audience leans forward in anticipation. Let the scene begin! It does. The audience leans back. The characters aren’t looking at each other. There is a narrator. What is this? they think. Yet another version of Our Town?
The scene… Continue reading
How do you do that? How do you make a production, one that is being read from scripts, visually appealing?
In Readers Theatre, we are reading literature with the aim of vividly recreating everything, not on stage, but in the audience’s minds. Why not put the actors in a line spanning the stage? Or sit them in a semi-circle? Or why not all stand at a lectern and when… Continue reading
One of the attractions of our Readers Theatre group is that you get to perform on stage, but you don’t have to memorize your lines. Instead, you carry and read from a script during the performance. Hoo-ha! No memorizing!
My group has embraced carrying a script and we love that we don’t have to learn lines. But before you heave that sigh of relief, know that to be effective
My community theatre’s Readers Theatre group has made a good start.
Our group has so far had good results with recruiting people who wouldn’t otherwise have a chance to perform on the main stage. We have a strong core group who keep coming back and some others who come when they can. Still a few others have dropped out for one reason or another. (“Politics,” the kind that usually… Continue reading
Readers Theatre is on the resurgence. Time was, it was a big deal in theatre producing communities and not only in high school and college. There were professional productions, such as Don Juan in Hell (third act of Shaw’s Man and Superman) in 1951 and John Brown’s Body directed by Charles Laughton in 1952.
So, all right, that was a long time ago, but today, in my part of… Continue reading
I’m doing a Readers Theatre workshop for the community theatre I belong to. It is the kind of hands-on two hours that, if it is effective at all, would both bring notice (advertising!) and support for our budding Readers Theatre group.
Planning and writing the workshop part is easy. It is advertising for it that has me stumped.
See, the theatre recently made a change. They want all… Continue reading
Yesterday, I published my third summer handbook for you performing arts students who want to do something toward building a career.
The handbooks are funny, chatty, and full of practical and maybe even spiritual things to do that will make your summer mean more to your future than only hanging out would do.
And I realized that the opposite is true, too. That working all the time to… Continue reading
It is already June, and I am soooo behind. My goal for this summer was to publish four handbooks, charging very little for them, so you could have a kind of road map to how a more productive and active summer than might be usual for those of you who just want to chill out for a few months.
Handbooks for the summer on Kindle
So how am I doing? I… Continue reading
There is this not-so-diverse group, all with some interest and experience in theatre, that meets once every two months to put together a program of pieces centered roughly around a theme. We perform it, radio style. Oral interpretation of literature, we used to call it. This time, we found poetry and prose around spring and the garden as a metaphor for our lives. Some of it is serious, such as… Continue reading
My friends and I want to create new theatre based on traditional theatre. How do we do that? Obvious answer is to form a kind of community theatre, maybe find a barn to convert and hold performances there.
No, Mickey and Judy, we don’t want to get into bricks and mortar and all the shenanigans that go with that. We want to concentrate on content and performing. Why not… Continue reading