My friends and I want to create new theatre based on traditional theatre. How do we do that? Obvious answer is to form a kind of community theatre, maybe find a barn to convert and hold performances there.
No, Mickey and Judy, we don’t want to get into bricks and mortar and all the shenanigans that go with that. We want to concentrate on content and performing. Why not use the latest technology? Supposedly we can all be artists and content providers on the Internet. Why not podcasts?
What kind of theatre?
I especially admire theatre repertory, where an ensemble of performers and performing artists work together to produce a season of work. Back in the day, I worked at Center Stage in Baltimore. They hired actors for the season, not just one play, and granted the so-called stars always had the lead, you could also see them in a supporting role. Everyone learned from each other and the acting was always outstanding.
The SAG awards have a category, not of Best Picture, but Outstanding Performance by an Ensemble in a Drama/Comedy Series for television and Outstanding Performance by a Cast in a Motion Picture. Some independent movie companies also tend to use the same actors in different movies. Christopher Guest does this and we came to expect to see old favorites in different roles. This is the closest movies get to repertory.
Television is beginning to try on the repertory concept. ABC’s American Crime takes ensemble performance one step closer to repertory. Leading actors in one season become different characters in a new story line in the next season.
Repertory online is what I and my merry band of players admire and aspire to. And so on to Theatre Follies Radio Repertory, a way to produce theatre, oral interpretation of literature, readers theatre, and other theatrical forms in a digital way without having to maintain a building and to be able to play all sorts of parts, some the lead, most not. I call it a podcast, but it is more like radio productions than live interviews and entertainments. We’ve beefed up the whole experience with an accompanying website that gives background about the material we use, why we picked it, and why we think you’d like to hear it.
I see this as just a beginning. The plan is to do something more, better, whatever, with each podcast we do. To get better, more innovative, more relevant. That’s the goal.
For you theatre people, let this be something you and your friends can do. Maybe video is more your speed. Whatever the form, try making your own troupe of performers, you retired people or you high schools or college students. Try it and let us know how your company is progressing.