Another thing I get from watching softball, (see “What can the arts learn from softball?”) is how all these egos can work toward one main goal: to play well and win the game. Yes, there are egos involved that may take a person to private goals such as striving for personal best statistics, but I think it is important to have a well-developed
I’m watching softball—the Women’s College World Series—and have watched almost every game that led up to the Championship. Even the one that went 17 innings. I’m a fan.
I like softball for many reasons, mostly because I get it, more than I get baseball. I can see what the pitcher is doing. People get more hits. When the ball leaves the infield, I can follow it right out of… Continue reading
Something to do with theatre, I hope. What? You haven’t a clue about how to include the performing arts with all that hanging out and chilling you plan to do?
Check out these four short but pithy (and inexpensive) handbooks for performing arts students (and their teachers) that have suggestions and ways of looking at ordinary summer things with your real goals in mind. These are things you might… Continue reading
OK, so here’s the thing about rejection. We all get rejected and some rejections are worse than others. We get picked last for the volleyball team in phys. ed. Big deal, since we could care less about sports, but we feel the sting anyway.
We don’t get picked for the lead in the school play. Bigger deal, but we understand that there were other kids with more experience… Continue reading
Readers Theatre creates pictures, scenes, and action in the mind of the audience. Here are some of the characteristics I already discussed in the previous articles.
There are many reasons theatre people call Readers Theatre the Theatre of the Mind.
Margaret Nielsen wrote this definition for a Secondary School Conference back in 1962 that helps describe what Theatre of the Mind is:
Readers Theatre “involves oral interpretation… Continue reading
You’ve chosen your material for your Readers Theatre production. (See “8 How to choose material for Readers Theatre.”) The next step is to go over it thoroughly, keeping in mind those things that made you choose it in the first place. You want to find things that support your first impressions and decide how you will use them to bring the piece alive for your audience. It is these… Continue reading
When you are ready to put on a Readers Theatre production, one of the first and most important thing you can do is to pick your material.
Consider your audience:
- Mostly children. Pick something with action, characters kids can relate to, and something that adults would enjoy, also. After all, you (the adult) have to live with this throughout the rehearsal and performance time and it is
A most effective tool used to create Readers Theatre is the voice. Actors know that it is the voice and body that bring characters alive on stage and they learn to use these tools to their best advantage.
We’ve already addressed how the body can be used effectively, even without blocking. (See “Make your Readers Theatre production visually appealing,” and “How the audience responds to focus.”) So… Continue reading
We’re back to our workshop on Readers Theatre. We’re in The Charge of the Light Brigade, by Alfred, Lord Tennyson, looking for a way to use movement without blocking it as if it were a staged play.
So we go to stanza 4:
Flashed all their sabres bare,
Flashed as they turned in air
I laughed out loud at Melissa McCarthy on Saturday Night Live. I have to confess that even a mere fleeting thought about Melissa McCarthy gets me smiling. I laugh at her even in the most feeble of movies or television shows. I howl at the mere idea of Melissa McCarthy.
So that full disclosure out of the way, I was rolling in the aisles at her take-down of Sean… Continue reading